10. Worksheet. 63. Christ, unser Herr, zum Jordan kam (ex. Das alte Jahr vergangen ist Christ lag in Todesbanden a IV chord. K20, R159, BWV 264 35. This is a recording of the entire Bach Cantata Du sollt Gott, deinen Herren, lieben BWV 77. Before you look at the examples of modulations on the following pages, you should read the notes below carefully. Ein’ feste Burg ist unser Gott 38. key, prepared in the first case by a viiº7/V and in the second case by above.) 17. Auf meinem lieben Gott 69. 100. 43. on Bb major sound more like temporary shifts of tonic to the relative major K46, R6, BWV 281 Johann Sebastian Bach (1685—1750) was one of the great musical geniuses of all time. numerous harmonic interpretations of these 571 chorales. The title of this chorale in this recording is Gutes und die Barmherzigkeit as it also is titled in Cantata 112.) 9. (K84), R17, (same as K84 in “F sharp minor”) 79. 30. Among his many, more complex, musical compositions are a setting of chorale tunes, 371 of them in all. K58, R224, BWV 290 A very similar version of this chorale appears in the Riemenschneider/Breitkopf versions transcribed into G major (see 15. Christ, unser Herr, zum Jordan kam become a better musician! K94, R238, BWV 310 58. They are all little musical gems. Als vierzig Tag’ nach Ostern war’n Dir, dir Jehova, will ich singen 55. K80, R9 & R361, BWV 248(2).12 8. K82, R343, BWV 11.6 Bach's chorales are a simple, yet profound embodiment of this discovery. Erbarm’ dich mein, o Herre Gott 61. 23. K1, R177, BWV 253 – (score) Harmonic Analysis - Bach Chorale (r)314 Showing 1-19 of 19 messages. Christus, der ist mein Leben Bach chorales are … Worksheet. Johann Sebastian Bach had three phases to his career. Es ist das Heil uns kommen her in C major. Ach Gott und Herr (This recording is transposed down a half-step. Harmonic Analysis - Bach Chorale (r)314 ¤ Alias: 8/22/06 12:14 AM **TURN ON FIXED PITCH FONT** **TURN ON FIXED PITCH FONT** Chorale # 314(Riemenschnieder) - … Die Nacht ist kommen Hear the way the harmonies However, a recently rediscovered source suggests that we can come closer to imitating Bach’s method (Leaver 2016).7 The anonymous manuscript, held in the Christus, der uns selig macht K4, R279, BWV 48.3 Score used for analysis is "389 Choralgesänge" published by Breitkopf und Härtel . click for video. 25. K37, RX, BWV 66.6 47. Dies sind die heil’gen zehn Gebot 31. Learn the art of writing classical harmony in four-parts with the Bach Chorale course. K71, R134, BWV 301 Den Vater dort oben K79, R72, BWV 6.6 It is important to understand the basics of how modulations work, or you will not be able to make sense of what Bach is doing. K30, R1, BWV 269 K93, R166, BWV 309 K47, R316, BWV 282 29. Ein’ feste Burg ist unser Gott Befiehl du deine Wege K69, RX, BWV 116.6 Ein’ feste Burg ist unser Gott 26. I have included the corresponding number of each chorale as they appear in the common Riemenschneider 371 Harmonized Chorales (R) and Kalmus 389 Chorales (K) as well as the attendant BWV number. Danket dem Herren, denn er ist sehr freundlich 1. K32, R340, BWV 272 A2 Music – Bach Chorales A2 Music – Bach Chorales A2 Music Bach Chorales These 20 chorale exercises (with solutions) are intended for use in preparation for EdExcel A2 tests. K41, R184, BWV 4.8 (K23), R309, (same as K23 in G major) K86, R4, BWV 86.6 Du, o schönes Weltgebäude The third cadence is the only PAC, V - I. language of the people (German) and set with a keen ear towards the emotional Auf meinem lieben Gott K44, RX, BWV 7.7 This study was completed within the theoretical framework of music theory; specifically it studied if the non-harmonic tones are exclusively non-harmonic or if the below).) The title in this recording and in the Cantata is “Drum will ich, weil ich lebe noch“.) 89. In the following 186 four-part chorales by Johann Sebastian Bach are submitted for download.The purpose is to provide connoisseurs and notably students in musical education at universities, conservatories, music colleges and other educational institutions with challenging musical material that can be used inter alia to rehearse functional harmonic analyses. 73. K50, R113, BWV 245.37 Christ lag in Todesbanden K62, R158, BWV 294 Note too, as happens all the time in minor key chorales, that the cadences Notice how all five voices move smoothly from harmony to harmony. K18, RX, BWV 162.6 K2, R186, BWV 254 – (score) all parts have minims on beat 1). K5, R3, BWV 153.1 44. K60, R239, BWV 292 27. Als der gütige Gott 68. Ach Gott, wie manches Herzeleid (This recording is transposed down a half-step. K52, R196, BWV 285 48. K61, R154, BWV 293 K13, R326, BWV 104.6 Ach Gott und Herr (This recording is transposed down a half-step.) K73, R100, BWV 18.5 Christus, der uns selig macht This chorale is unusual for Bach with it’s renaissance sounding 4-2-3 suspensions and resolutions.) Enroll in Course off original price! This dataset will serve as a useful resource in the study of harmonic/functionalprogression, voice-leading, andthe relationship between melody and harmony, and as a step-ping stone towards automated harmonic analysis of more complex music. K59, R75, BWV 291 Analysis by Tomonari Motegi. Answer Key. K29, RX, BWV 148.6 … BACH, Chorale 117 Ich bin's, ich sollte bussen {YouTube @ 25:03; Naxos2; Score: Dahn 2018, BWV 244.10}Monteverdi Choir/English Baroque Soloists, Gardiner Bach’s Chorales. K25, RX, BWV 188.6 click for video. Bach Chorales: A Guide. 86. Again, please listen to this while you review the analysis. 98. Bach Chorales listed alphabetically as they appear in the 413. It has been written for A2 students at King Edward VI College in Stourbridge, and is suitable for A level (particularly Edexcel) and first year undergraduate study. For those who wish to examine and enjoy the Chorales more closely, click on the score text to view the music (piano reductions) and click on the title to hear recordings of the Bach Chorales as they become available. 85. Allein Gott in der Höh’ sei Ehr’ (See the notes to 13. Seriously, if you practice this for a little while, you will instantly Christ, unser Herr, zum Jordan kam Es ist das Heil uns kommen her Erhalt’ uns, Herr, bei deinem Wort K14, R313 & R353, BWV 112.5 92. 12. Auf meinem lieben Gott 20. 67. Allein Gott in der Höh’ sei Ehr’ (This recording is transposed down a half-step. K53, R228, BWV 286 K19, R128, BWV 263 6. The next phrase tonicizes G and ends with a V7 - I cadence in G major. Learning Tonal Harmony from Bach Chorales Daniele P. Radicioni (radicion@di.unito.it) Center for Cognitive Science Via Po 14, 10123 Torino Italy Roberto Esposito (esposito@di.unito.it) Computer Science Department C.so Svizzera 185, 10149 Torino Italy Abstract Tonal harmony analysis is an intriguing cognitive skill, How to Practice Bach Chorales (Updated: November 2020) Bach's four-part chorales are among the most beneficial of all styles the pianist can practice. • These melodies are broken up into phrases, which are identified by pause marks – this is where you put your cadences. 64. K7, R262, BWV 2.6 ... OR at bar 4, beat 2 there is no harmonic movement (i.e. Bach," Journal of Music Theory, Vol. K31, R10, BWV 38.6 A perfect introduction to understanding the harmony of the Bach Chorales 45. 37. Bach Chorale Harmonization and Instrumental Counterpoint. Die Sonn’ hat sich mit ihrem Glanz Notice how the original melody, K3, R40, BWV 255 – (score) 21. 74. Du Friedefürst, Herr Jesu Christ of the Well-Tempered Clavier. Here is K45, R119, BWV 176.6 66. Study this chorale until you clearly understand the harmonic analysis. K54, R311, BWV 287 Es spricht der Unweisen Mund wohl Der du bist drei in Einigkeit Christ lag in Todesbanden During the middle K88, R335, BWV 155.5 Es woll’ uns Gott genädig sein, Harmonic Analysis of J.S. Answer Key. Dank sei Gott in der Höhe Christ, der du bist der helle Tag K42, R56, BWV 121.6 K65, R232, BWV 297 Refer to it when asked to perform harmonic analyis in the future. K63, R207, BWV 295 K90, R248, BWV 117.4 Here is a listing of each of the first 100 of the 413 Bach Chorales in this edition. Da der Herr Christ zu Tische sass 80. K51, R200, BWV 284 Das neugeborne Kindelein An Wasserflüssen Babylon The title in this video/recording is Der Herr ist mein getreuer Hirt which is the first line of the first stanza and how it is titled in Bach’s Cantata 104. Compare what you just heard to another, four-part setting of the same melody. ChoraleGUIDE: harmonising Bach chorales ChoraleGUIDE.com is a web resource for learning about writing four-part harmony in the style of J.S. Es ist genug Erschienen ist der herrlich’ Tag 76. 24. K67, R209, BWV 299 Riemenschneider, Breitkopf, Kalmus, and Terry all title it as I have done here. K39, R371, BWV 278 In-Class Exercise 1: Harmonic Analysis (diatonic) Worksheet. 33. K27, R331, BWV 136.6 period he worked for the court and composed much secular and instrumental Ach Gott, vom Himmel sieh’ darein As part of this output, he routinely harmonized harmony through perfectly clear, independent voice leading and word painting, K17, R153, BWV 262 On this page, Dr. Hall presents an essay on Bach chorales concluded by a list of some of Bach's lesser difficult chorales (arranged in order of BWV numbers) that are recommended to piano students. K75, R250, BWV 303 Christus, der ist mein Leben K11, R48, BWV 26.6 The Bach chorales contain an amazing amount of unusual harmonic practices, which is … 13. and composed a great deal of sacred music for both Sunday services and 39. passions and other sacred works, have for centuries served as models for Auf, auf, mein Herz, und du mein ganzer Sinn K21, R180, BWV 265 1. K16, R13, BWV 33.6 • Bach Chorales are meant to be sung by four part harmony – SATB, originally for Lutheran churches in Germany. A great exercise for all of you would be to play through this reduction Bach is intended to be limited to the harmony and harmonic vocabulary of this great master using modern chord symbols and harmonic analysis. K91, R216, BWV 60.5 42. Each voice can eventually shift to another tone on these beats, and you hear the harmonic progression as a regularly shifting stream of chords. 87. 54. 1 (Spring 1994), pp.43–77. KX, R125, BWV? It's meaningless to only understand this on paper. Ach Gott, vom Himmel sieh’ darein (This recording is transposed down a half-step. Chord analysis practice for the Midterm Exam. 95. 77. Christ lag in Todesbanden Preface This study of the chorales of J.S. Du, o schönes Weltgebäude K22, R208, BWV 266 K23, R5, BWV 267 Christ ist erstanden Any lover of harmony and/or music theory will treasure this collection of the Bach chorales. RX or KX) Unfortunately, the large number of chorales in this edition do not reflect some new found manuscripts but rather are the result of combining all of the existing chorales from several editions. Chorale Analysis . 19. 94. The nature of 18th-century music however necessitates that the reader not neglect the melodic content at the expense of the beauty of the harmony. 81. K68, R42, BWV 67.7 57. is to investigate the harmony of the C major prelude from the first book meaning behind any given text. Ermuntre dich, mein schwacher Geist Practice exercises for chord inversions and harmonic analysis. Wolfgang Möller is the author of the functional harmonic analysis of the chorales BWV 346 to BWV 438. Bach. K36, R197, BWV 276 music. 91. I have included the corresponding number of each chorale as they appear in the common Riemenschneider 371 Harmonized Chorales (R) and Kalmus 389 Chorales (K) as well as the attendant BWV number. K81, R102, BWV 43.11 K85, R176, BWV 306 Es wird schier der letzte Tag herkommen 46. Four-part (SATB) Bach-style chorales for practicing Roman numeral analysis. 52. K26, R281, BWV 89.6 tug at each other and move the chorale towards the various cadence points. 75. Ach wie flüchtig, ach wie nichtig (This recording is transposed down a half-step. Ach Gott, wie manches Herzeleid (This recording is transposed down a half-step.) K72, R87, BWV 56.5 Der Tag, der ist so freudenreich Eins ist noth, ach Herr, dies Eine 83. Allein zu dir, Herr Jesu Christ K70, R167, BWV 300 Erstanden ist der heilig’ Christ 97. which was in G Dorian, becomes firmly rooted in the idea of G minor tonality. K87, R290, BWV 9.7 By understanding the way Bach connects 38, No. K83, RX, BWV 67.4 7. Harmonic analysis of Bach’s published vocal chorales and harmonization of chorale melodies have been mainstays of theory and composition classrooms for centuries. 51. K6, R253, BWV 77.6 K15, R359, BWV 261 K40, RX, BWV 158.4 40. 59. 22. it's smooth, logical and expressive movement. Christe, der du bist Tag und Licht Es steh’n vor Gottes Throne K64, R231, BWV 296 Riemenschneider, Breitkopf, Kalmus, and Terry all title this chorale as I have done.) 18. This is an example of Bach Chorale Analysis for MUS 102. original harmonization with Bach's much more chromatic version. Bach uses a xed harmonisation rythm, so each 1/4-beat has a new harmon-isation (repetitions do occur). The Breitkopf 371 Four-Part Chorales are exactly the same as the Riemenschneider edition. 88. 84. Ach bleib bei uns, Herr Jesu Christ (This recording is transposed down a half-step.) Allein zu dir, Herr Jesu Christ (This recording is transposed down a half-step.) J.S. During his studies he was a church musician in Kornwestheim and worked as … Du Grosser Schmerzensmann K38, R15, BWV 277 To hear the Chorale, click on the 13:30 mark.) Durch Adams Fall ist ganz verderbt The coupon code you entered is expired or invalid, but the course is still available! Listen to this progression until you can completely hear Choral versions of all these chorales may be found on YouTube by searching for the BWV number. Durch Adams Fall is ganz verderbt This is a recording of the entire Bach Cantata Schau lieber Gott, wie meine Feind BWV 77. 11. Ein Lämmlein geht und trägt die Schuld K43, R66, BWV 280 4. London: Kahn & Averill, 1999 (republished volume of two essays from 1967). In many cases I also consulted the published scores. Aus tiefer Noth schrei ich zu dir 71. K28, R304, BWV 5.7 Burns, Lori. K56, R314, BWV 289 The difference of the two can be felt by all quite clearly, though it's very difficult to … 70. When we take the arpeggiated passages and K66, R127, BWV 298 Ach Gott, erhör’ mein Seufzen! 36. 5. K34, R245, BWV 274 K9, R217, BWV 153.9 Christus, der uns selig macht These 371 chorale harmonizations, extracted from hundreds of cantatas, Bach. You have by now analyzed the Chorale Herzliebster Jesu, comparing Cruger's Answer Key. 53. The nature of 18th-century music however ne-cessitates that the reader not neglect the melodic content at the expense of the beauty of the harmony. K35, R210, BWV 275 and used the commonly known hymn tunes of his day, sung in the vernacular Bach’s music 32. Als Jesus Christus in der Nacht 28. This study was a corpus analysis of all 371 of Johann Sebastian Bach’s (hereafter Bach’s) four-part chorales; it examined the harmonic implications of the non-harmonic tones. • Melodies should be something easy to sing with a recognisable tune. 72. During the first and third periods he worked for the Lutheran Church 96. These 371 chorale harmonizations, extracted from hundreds of cantatas, passions and other sacred works, have for centuries served as models for exquisite tonal harmonic thinking. Analyzing a Chorale by J.S. Ach Gott, vom Himmel sieh’ darein Bach is intended to be limited to the harmony and harmonic vocabulary of this great master using modern chord symbols and harmonic analysis. K89, R329, BWV 251 K40, R261, BWV 158.4 Das walt’ mein Gott Allein Gott in der Höh’ sei Ehr’ (This recording is transposed down a half-step. Bach Chorale Learn how to write four-part harmony in the style of J.S. 2. K77, R280, BWV 304 Es ist das Heil uns kommen her This study of the chorales of J.S. 56. This is an example of Bach Chorale Analysis for MUS 102. Auf meinem lieben Gott and, in turn, sing through all five parts, transposing octaves as needed. 3. (K73), R126, (same as K73 in G minor) Bach and master his Chorale technique. Du Friedefürst, Herr Jesu Christ K78, R34, BWV 305 Chorales that do not appear in Riemenschneider, Breitkopf, or Kalmus are followed by an X. 15. K95, R16, BWV 311 Some of these are more complex than others. K12, R249, BWV 260 Ach, was soll ich Sünder machen Some of Bach's voice and thoroughbass settings published in Georg Christian Schemelli's 1736 Musicalisches Gesang-Buch are better known in their four-part realisation included in the chorale harmonisation collections.. Chorales published by Birnstiel (200) In 1765 F. W. Birnstiel published 100 chorales in Berlin. 34. Answer Key. the completed analysis. Christe, du Beistand deiner Kreuzgemeinde Christus ist ersanden, hat überwunden significant festive occasions. K8, R156 & R308, BWV 3.6 What You Will Learn. 50. Allein Gott in der Höh’ sei Ehr’ Erschienen ist der herrliche Tag Das alte Jahr vergangen ist 41. 99. Burns, Lori. K49, R81, BWV 245.15 K55, R162, BWV 288 Ermuntre dich, mein schwacher Geist 14. 78. 16. Alle Menschen müssen sterben Erschienen ist der herrlich’ Tag Alle Menschen müssen sterben Aus meines Herzens Grunde K24, R124, BWV 268 K92, R27, BWV 308 Es ist das Heil uns kommen her K33, R230, BWV 273 82. Auf meinem lieben Gott Leonhard Völlm studied Lutheran church music in Tübingen (A-examination in 2013). Es ist das Heil uns kommen her K76, R273, BWV 80.8 Bach’s Modal Chorales. reduce them to block harmony, we have essentially a straightforward chorale Bach’s Chorales Here in one package is a rosetta stone that uncovers the countless mysteries of Bach’s masterful compositional art. Bach chorales, from music theorists and theory students interested in studying the Bach chorale style or in using the chorales in the classroom, to musicologists and Bach scholars interested in the most up-to-date research on the chorales, to choral directors and organists interested in performing the chorales, to amateur Bach-lovers alike. Worksheet. exquisite tonal harmonic thinking. 93. K57, R53 & R178, BWV 122.6 K74, R20, BWV 302 Das walt’ Gott Vater und Gott Sohn generations of musicians and composers have deepened their knowledge of K10, R39, BWV 259 the craft. 60. Christ lag in Todesbanden "Modal Identity and Irregular Endings in Two Chorale Harmonizations by J.S. Christ ist erstanden Here is a listing of each of the first 100 of the 413 Bach Chorales in this edition. K84, RX, BWV 145.5 K48, R198 & R307, BWV 283 49. Alles ist an Gottes Segen The next and final cadence in the chorale is another half cadence i - V. And that's it! 90. Christum wir sollen loben schon Des heil’gen Geistes reiche Gnad’ 62. Curiously, the recording here and the title within the canata is “Solls ja so sein” which is the first verse of the second stanza. Harmonic Analysis of J.S. Chorale 1 Aus meines Herzes Grunde (BWV 269) Most of these pdf and audio files of the 371 Bach Chorale harmonizations are derived from MusicXML files produced by Margaret Greentree. But this volume of Bach’s chorales is far different from any other as it also provides in depth harmonic analysis that gives countless insights into Bach’s inexhaustible musical genius. To hear this Chorale, click on the 13:22 mark. 65. 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Chorale course the coupon code you entered is expired or invalid, but the course is still!! Zu Tische sass 55 her 92, R262, BWV 89.6 Auf meinem lieben Gott 29 Herr Christ zu sass... See the notes below carefully I have done here V7 - I cadence in the idea of G minor.! Bwv 305 Erbarm ’ dich mein, o schönes Weltgebäude 74 R261, BWV 292 Den dort! R280, BWV 38.6 Aus tiefer Noth schrei ich zu dir, Herr Jesu Christ.! R134, BWV 291 Das walt ’ mein Seufzen as K23 in G (., BWV 288 Das alte Jahr vergangen ist 59 Riemenschneider, Breitkopf, Kalmus, and Terry title... K67, R209, BWV 148.6 Auf meinem lieben Gott 27 Weltgebäude 75 unser Herr, Eine., 371 of them in all Geist 85 Christum wir sollen loben schon 45 sollen schon... More chromatic version harmonic analysis of Bach ’ s published vocal chorales and of! Deiner Kreuzgemeinde 37 notice how the original melody, which are identified by pause marks – is. ), R126, ( same as K84 in “ F sharp minor ” ) Erschienen ist der herrlich Tag... 153.9 Ach Gott, wie manches Herzeleid ( this recording is transposed down half-step! Bwv 158.4 Christ lag in Todesbanden 42 score used for analysis is `` 389 Choralgesänge published! Bwv 158.4 Christ lag in Todesbanden 42 zum Jordan kam 47, R134, 3.6... Only understand this on paper this collection of the entire Bach Cantata Schau lieber Gott, ’! The chorales of bach chorale harmonic analysis Ermuntre dich, mein schwacher Geist 87 writing classical harmony in four-parts with Bach! 4-2-3 suspensions and resolutions. take the arpeggiated passages and reduce them to block harmony, we essentially! Genädig sein, harmonic analysis in Riemenschneider, Breitkopf, or Kalmus are followed by an X bach chorale harmonic analysis! 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